View full workshop program here.
Hannah Bruckmüller (Heinrich-Heine-University, Düsseldorf, DE): Press and Re-release. On Marcel Broodthaers’ publishing
Andrea Gyorody (University of California, Los Angeles, CA, US): Repetition and Difference in Joseph Beuys’s Multiples
Jordan Carter (The Courtauld Institute of Art, London, UK): The Precarious Roles of George Maciunas and Seth Siegelaub: Fluxus, Conceptual Art, and the Politics of Information
Kathrin Barutzki (University of Cologne, Cologne, DE): Artists & Photographs. One multiple exhibition concept and diverse photographic strategies around 1970
Regine Ehleiter (Academy of Visual Arts Leipzig, Leipzig, DE): The Publication as Exhibition: Unfolding situationen 60‘s “Portable Galleries”
Erica DiBenedetto (Princeton University, Princeton, NJ, US): Drafting Plans, Drafting Walls, Drafting Pages
Anton Lee (University of British Columbia, Vancouver, BC, CA): Narrative Forms and Visual Sequences: The New Photography in American Practice and French Discourse, 1970-1989
Leo Filipe (Universidade Federal do Rio Grande do Sul, Porto Alegre, BR) & Jorge Bucksdricker (Universidade do Estado de Santa Catarina, Porto Alegre, BR): The living document: The curatorial experience of Um firme e vibrante NÃO
Liberty Megan (The Courtauld Institute of Art, London, UK): MA Dissertation: The Syntax of Images: Eduardo Paolozzi’s As Is When (1964-65); general interest: artists’ books
Julia Elisabeth Neal (University of Texas, Austin, TX, US): Benjamin Patterson, Fluxus, Methods and Processes (1962), Self-publishing, production as sculpture and performance
Allison Rudnick (City University of New York, New York, NY, US): Dieter Roth, Self-publishing, food-Multiples, Roth as artist, printer, publisher, Marshall McLuhan